some of the Textile Art I will be taking to the Harrogate Knitting & Stitch Show this November....

.. this mixed media piece was created from derelict teacups, fused into organza with heat and tied with thin but tough wire and made as a reference to the wonderful, older and through adversity  stronger women in our family, although often overlooked by todays cultural slant towards youth and who I 

felt the need to acknowledge their hidden qualities and strengths.

to me it seemed as these smashed cups had some stories to tell....

more crockery, this time sawn apart from a loved aunts house, I wanted to see what the  fragments would look like if more uniformly cut but decided they were not as interesting

for one of the many samples I embedded the pieces into clay, the tags represent teabags and the conversations that accompanied them. I did not choose to further sample along these lines but find that 'embedding' with a slight reveal of itthe item now seems to often pop up in my work

this is one of the pieces I'll be taking along to the Knitting & Stitch show this November in Harrogate, come along and say hello!

 http://www.twistedthread.com/pages/exhibitions/viewExhibition.aspx?id=45

Gwyneth Depport - Artist in Residence for the Heritage Open Day at the National Trust property Gawthorpe Hall

I'm very much looking forward to being able to show some of my work at Gawthorpe Hall in Padiham, Lancashire on Saturday September 14th. Hope to see you there! http://www.gawthorpetextiles.org.uk

It was at the hall that I first was introduced to the wonderful textile collection amassed by a forward thinking Miss Rachel Kay-Shuttleworth and I have returned on several occasions, once on a study visit to get a closer look a the Blackwork held in the collection.

One of my first surprises was that Blackwork was not just black but that other colours were used on occasion and I have seen red, blue green and pink amongst others.

My attendance will be to show some of my work that has been influenced by the Blackwork and I have to say that it still does, I enjoy  mixing elements of Blackwork with other styles of working but especially enjoy the monochrome effect! Here is a small taster.....

just running through some of my machine stitches then getting carried away with it, especially loving the reverse of the fabric when the whirring had stopped......

this was a 'captured' image, made by placing a chair onto a  double OO piece of paper then spray painting it for its shadow, the chair survived but is now also Blackwork in its own right!

this is a motif I designed after experimenting with my absorption with the  roses on tea cups digitally printed onto cotton

Contemporary Textile Art from the Sea

Not really understanding why, nor needing to I suppose, I feel very drawn to lobster pots and if I'm ever lucky enough to be near any I feel compelled to photograph them. Perhaps its the 'controlled chaos' theme again which I've come to realise is a reoccurring presence in my work. I find the intricate structure of the pot is made much more exciting once other loose elements such as fibres are tangled within it.

Wanting to explore this attraction, and working from photos I'd taken during a visit to Whitby in Yorkshire, I snipped a few twigs from my Silver Birch Tree, (sorry tree) and then  experimented with threads and wire until I came up with my own, inland version of one. This measures about 24cm x 12.5cm and consists of crocheted white coated wire, waxed cotton orange thread within a frame of silver birch twigs.

 

 I photographed these lobster pots whilst visiting Yorkshire's Whitby Harbour.

I had to remember that they weren't mine, fighting the urge to search amongst them for any unwanted, accidental treasure from the sea.

Tiny pieces of the colour orange caught my eye.

To me, the rust and barnacles on the iron weight were the sea's own beautiful artwork.

I took this photo of some more modern pots whilst at Barmouth in Wales, somehow although the gridwork had a slightly hypnotic effect on me (or maybe it was the lunchtime cider), I just don't have the same excitment as when I find a stack of the old style pots.