some initial work from my Textile Mills project

I've enjoyed this project so far, I know it will be along time before I feel I have got everything I can from it.  I feel such a great affection for these mills and how they link us to the rich history of textiles here in Lancashire. These are my very first outcomes from the project, screen prints onto heavy cotton. Watch this space there will be more to come. I am especially focused on them as (fingers crossed re house sale) I may soon be leaving Lancashire, going home to Mid Wales, to another area reknowed for its historic textile production.

 

 

 

 

The process I used to create this printed cloth is as follows;

After looking at the photographs from my orignal research (shown in my blog post of Oct 25) over a period of several days, certain elements of my images start to make an imprint on me. For me it is the oft quoted 'dark satanic mills' essence of the buildings, their tall chimneys, with huge areas of bricks, all surrounded, whether still in use or not, by quite evil looking wire, chain link and barbed, rusted and twisted out of shape more often than not.

After first sketching the mills with indian ink, I ran the drawings through my thermofax machine with specialist plastic mesh over them. The carbon in the indian ink (any carbon media would work) then heats up on its way through and melts where it touches the mesh. I then frame the mesh 'negative' with duck tape creating my own mini screens which will stand up to many uses if treated kindly. I screen print with textile dyes which are then heat fixed.  

 

some of Preston's old Textile Mills today

I'm often looking up at buildings, admiring their structure, their architects and builders, wondering about the lives that have been lived inside their walls. Lately I've been a little obesessed with the old textile mills, Horrockses, Tulketh and others here in Preston but I've a feeling I shall be travelling further afield quite soon to try and capture more images but here is a small selection of some I took a couple of weeks ago.

I hope to soon visit a Textile Mill not far from Preston the Queen Street Mill in Burnley, Lancashire it is a working museum, and I shall be taking my camera with me!

Thier sheer size is so imposing and whilst some have been redesignated as Antique and furniture warehouses and factories others have become homes and offices. However the ones that really capturing my imagination and morphing into textile art and surface pattern are those that are bound and tethered in wire. They are captured in barbed wire, weldmesh and chain link like huge brick elephants held on the ground, prevented from going about their business. I've read recently (can't recall where) that 37,000 textile workers once worked in these mills.

Most of my raw fabric comes from Whaleys (Bradford) Ltd based in Bradford, where this nobel work is still carried on, I would encourage anyone who uses raw fabric to make their purchases from Whaleys too, and help keep whats left of our textile industry going and increase our GDP! Their goods are high quality, excellent value and the staff are helpful and friendly,
here is a link to Whaley's website  Please note that Whaleys mill is not featured in any of the images below....

Anyway watch this space and my website for the artwork that is being developed around the mills and their bindings of wire......